{"id":737853374507,"title":"Wedding Celebration - JP3073","handle":"wedding-celebration-jp3073","description":"\u003cp\u003eVest Agder style wedding procession. In this area you see many examples of wedding parties painted around the outer edge of the inside of a bowl. There is a fun stylized flat bottom tulip and a delightful rose from this area.\u003c\/p\u003e\n\u003cp\u003eAt the very southern tip of Norway, immediately to the left of the Setesdal Valley on the map, is the area or county known as Vest Agder (West Agder). The port towns of Mandal and Kristiiansand were the bases for trade with Holland.\u003c\/p\u003e\n\u003cp\u003eThe folk art of this area is based on floral baroque. With straighter scrolls, almost like palm trees, ending in a profusion of flowers, leaves, and small teardrops or comma strokes. This is an area where we can see many examples of the wedding party painted around the outer edge of the inside of the bowl. 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This will depend on how you are developing your painting.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMediums\u003c\/strong\u003e\u003cbr\u003eKleister Medium\u003cbr\u003eRetarder Medium or Gel Retarder\u003cbr\u003eTexture Paste\u003cbr\u003eBarrier coat (optional) Clear Glaze Medium\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBrushes\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eJo Sonja’s Sure Touch Brushes\u003c\/em\u003e\u003cbr\u003e#6-8 filbert, #3-4 round - Basic painting\u003cbr\u003e#2 liner or #2-3 detailer - Liner work\u003cbr\u003e#3 round - Lettering\u003cbr\u003e#1 - 2 round - Long point or brush of choice - Teardrops\u003cbr\u003eThe brush you use for fine details and teardrops is very personal; you may prefer your liner, detailer or small round.\u003c\/p\u003e\n\u003cp\u003eGlazing:\u003cbr\u003e1\" flat, filbert, or oval glaze - Applying Retarder\u003cbr\u003e1\/2\" - 3\/8\" oval glaze - Applying glaze color\u003cbr\u003e1\" mop, stippler, or bristle blender - 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In this area you see many examples of wedding parties painted around the outer edge of the inside of a bowl. There is a fun stylized flat bottom tulip and a delightful rose from this area.\u003c\/p\u003e\n\u003cp\u003eAt the very southern tip of Norway, immediately to the left of the Setesdal Valley on the map, is the area or county known as Vest Agder (West Agder). The port towns of Mandal and Kristiiansand were the bases for trade with Holland.\u003c\/p\u003e\n\u003cp\u003eThe folk art of this area is based on floral baroque. With straighter scrolls, almost like palm trees, ending in a profusion of flowers, leaves, and small teardrops or comma strokes. This is an area where we can see many examples of the wedding party painted around the outer edge of the inside of the bowl. A few drunks were usually in attendance as the wedding party progressed.\u003c\/p\u003e\n\u003cp\u003eBackgrounds in this style were usually dark, but a few light versions such as this sandy yellow were used on bowls. Here the bride on horseback in the center is surrounded by leaves, scrolls and flowers in the traditional Vest Agder Rosemaling style.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePalette\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eJo Sonja's Matte Flow Acrylics\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eBurnt or Raw Umber\u003cbr\u003eCarbon Black\u003cbr\u003eDiox. Purple (optional)\u003cbr\u003eGold Oxide\u003cbr\u003eIridescent Gold\u003cbr\u003ePearl White\u003cbr\u003ePurple Madder\u003cbr\u003ePyrrole Orange\u003cbr\u003eRich Gold\u003cbr\u003eUltramarine Blue\u003cbr\u003eUnbleached Titanium\u003cbr\u003eYellow Oxide\u003cbr\u003eYellow Deep\u003c\/p\u003e\n\u003cp\u003eRed - The red from your edge color or Red Earth + Geranium.\u003cbr\u003eBlue - The blue from your background.\u003cbr\u003eGreen - Olive Green + Vines is nice or Teal Green + a touch of Yellow Oxide would also be good, if you want a little more blue green.\u003c\/p\u003e\n\u003cp\u003eAdd black, Burnt Umber, or Diox.Purple to make shades. \u003c\/p\u003e\n\u003cp\u003eAdd white or Yellow Deep + W to make tints. For overlays you may add a touch of Orange or Rich Gold. \u003c\/p\u003e\n\u003cp\u003eFor blue tints you may prefer to use Pearl White, but be careful of too much contrast here. This will depend on how you are developing your painting.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMediums\u003c\/strong\u003e\u003cbr\u003eKleister Medium\u003cbr\u003eRetarder Medium or Gel Retarder\u003cbr\u003eTexture Paste\u003cbr\u003eBarrier coat (optional) Clear Glaze Medium\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBrushes\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eJo Sonja’s Sure Touch Brushes\u003c\/em\u003e\u003cbr\u003e#6-8 filbert, #3-4 round - Basic painting\u003cbr\u003e#2 liner or #2-3 detailer - Liner work\u003cbr\u003e#3 round - Lettering\u003cbr\u003e#1 - 2 round - Long point or brush of choice - Teardrops\u003cbr\u003eThe brush you use for fine details and teardrops is very personal; you may prefer your liner, detailer or small round.\u003c\/p\u003e\n\u003cp\u003eGlazing:\u003cbr\u003e1\" flat, filbert, or oval glaze - Applying Retarder\u003cbr\u003e1\/2\" - 3\/8\" oval glaze - Applying glaze color\u003cbr\u003e1\" mop, stippler, or bristle blender - Blending out glaze color.\u003c\/p\u003e"}